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This month’s IndieWeb Movie Club selection is The Triplets of Bellville that kicked off with Mark Sutherland’s introduction - IndieWeb Movie Club July 2025 - Triplets of Bellville - Mark Sutherland. For background:

• Letterboxd: (https://letterboxd.com/film/the-triplets-of-belleville/)
• IMDB: (https://www.imdb.com/title/tt0286244/)
• TMDB: The Triplets of Belleville (2003) — The Movie Database (TMDB)
• TVDB: (https://www.thetvdb.com/movies/the-triplets-of-belleville)
• Wikipedia: (https://wikipedia.org/wiki/The_Triplets_of_Belleville)

A First Take of Triplets

I knew very little about The Triplets of Belleville going into the movie. I had watched the trailer and rented it. I knew it was a French animation movie with a connection to cycling and the Tour de France, but that is all I had going in.

A very short review would be: This is a modern French animation silent-ish movie that has a storyline akin to a fever dream. It was like watching Brazil with a different storyline, genre, and milieu, but French animation.

A Second Take of Triplets

As I was watching the first 10 to 15 minutes I would think I has a foundation for, “Oh, this is what the film is going to be”, but there seemed to be five or six potential paths. Throughout, what really stood out was the animation in a semi-sketch and water color with sepia tones and grays. Some animated films lean toward clean comfortable aesthetics with a illustrated tilt at reality, but not Triplets as its leans more to the surreal and exaggerated caricatures that would be quite believably done by the grandchildren or great-grandchildren of Honoré Daumier. The somewhat rough environmental sketches set the atmospherics for a story of a boy and his grandmother in just above squalid conditions. This is clearly not a Disney movie, but the dog (a main character) would fit nicely in a draft quality of Aristocats (but, oh Triplets is not going anywhere near Disney type conventions as a movie and that is incredibly clear in the opening moments).

The film starts with us watching the screen that the character is watching, but that isn’t fully clear at first. But, this theme of looking in through eyes watching something created to be watched reoccurs and has layers. There are solid threads of commentary on “watching cultures” that are heavily invested in entertainment, no mater the human cost. The animated time transitions are sometimes rough and like many other twists and jags of plots and themes. But, the absurdity and unexpected twists are a part of charm and fun. Everything has quirks that could be annoying in reality, but are endearing in this framing.

To say this is a cycling film, which is what Triplets seems to start out as, is like saying Die Hard is a work place drama. The young man on a bike and his grandmother training him from trike with a pulsating whistle, along with very rudimentary and Rube Goldberg contraption devices for training and recovery, with cycling posters, and hints at Le Tour de France around their home would set the stage for a quaint rags to riches American cycling heroics movie. But, this isn’t American, it is French (you know the country with Sartre, surrealism, and existentialism) and this film leans into the surreal and the absurd in interesting (you know, the good kind of interesting) ways.

The rags to riches cycling animated film at Le Tour, takes a strong zig with a sinister plot, that comes to fruition, around a kidnapping of cyclists. The young man is taken by the mob / mafia along with two others. This is now a absurdist crime thriller. But, the creators of Triplets are playing with a deck of cards with six or seven suits and each suit as different cards from the other suits. This is all done wonderfully.

The grandmother and her dog go chasing the amazingly surreal ship to a different and unknown land with a city. It takes a while for this to settle and sort out what has happened to her grandson. They are so near, and yet so far. It is about halfway through before the Triplets themselves become apparent. But, how all of this fits together or comes together isn’t clear. There are more zigs, zags, and jags that are all perfectly enjoyable in unusual ways.

One of the Triplets goes frog fishing with grenades, because, of course. But, beyond this it starts getting into odd spoilers. With no words we watch as the grandmother is taken in by the Triplets with her dog and run through a myriad of odd house rules.

There is an ending to this film that is rather reminiscent of Brazil, which may be a nod, or strongly pointing. But, there is a layering of screens and being watched and observed that echoes in Triplets. What is real and perceived or watched is a lingering theme. A map to Hollywood and tour guide that is uncovered a long the way are more than a hint that this is one of the social commentary threads to hold onto.

The dark characters of the mob / mafia are comically draw and large boxy figures, that adhere to each other and things. There are many characters and animations that are purely comical and absurd in wonderful ways. Most of the prominent eyes are behind glasses, other than the cyclists (it may take a rewatch to sort this out, but it started to be noticeable).

The Third Take of Triplets is a Wrap

The Triplets of Belleville has the feeling of a film with a lot of layers, like one of my favorites to rewatch, Local Hero where the first watching or two you realize there are a lot of layers and things going on to watch for. I have a feeling I may watch this again, at least once, and discover more.

This was a gem of a movie and one heck of a fever dream. I’m thankful Mark Sutherland selected it for the IndieWeb Movie Club - IndieWeb watch for July.